When Time Travel, Romance, and Regret Collide in a Cinematic Triumph
The Indonesian film landscape has rarely seen a phenomenon as emotionally potent and visually audacious as Sore: Istri dari Masa Depan (or Sore: Wife from the Future). Released on 10 July 2025, this genre-bending masterpiece has enthralled audiences, challenged expectations, and sparked fervent conversations across Southeast Asia and beyond. Directed by the ever-innovative Yandy Laurens and starring acclaimed actors Dion Wiyoko and Sheila Dara, the film fuses time-travel, romance, and existential drama in a bold reimagining of the original viral web series. The result? A cultural lightning rod and a new high-water mark for Indonesian cinema.
From Web Series to Cinematic Milestone
When Sore: Istri dari Masa Depan first appeared in 2017 as a modest web series, few could have predicted its transformation into a cinematic epic nearly a decade later. Set against the romantic vistas of Petritoli and Ponza, Italy, the original series quietly amassed a cult following, celebrated for its delicate portrayal of love, regret, and the elusive nature of redemption.
Fast forward to 2025, and Yandy Laurens returns with a radical rework: 60% of the script rewritten, emotional stakes intensified, and the production scaled up across three countries—Croatia, Finland, and Indonesia. The film follows Jonathan (Dion Wiyoko), a carefree Indonesian photographer living in Croatia whose life takes a surreal turn when he meets Sore (Sheila Dara), a woman who claims to be his wife from the future. Her mission: alter his fate and save him from himself.
What was once a small-screen romance is now a sweeping international drama with emotional and narrative ambition rarely seen in Southeast Asian cinema.
Redefining Production Standards: Scope, Location, and Grit
The film’s transcontinental production is not a visual gimmick—it’s a narrative necessity. Shot in Grožnjan and Zagreb (Croatia) and the frozen wilderness of Finland, the settings reflect the protagonist’s internal desolation and emotional thaw. Behind the scenes, the crew braved subzero conditions and complex logistics to create a palpable sense of place that mirrors the characters’ psychological journeys.
Casting changes added to the film’s boldness. Sheila Dara, stepping in for Tika Bravani, underwent intensive training in Croatian and stunt work. Dion Wiyoko, meanwhile, internalized the weight of Jonathan’s fractured soul, portraying a man simultaneously haunted and hopeful.

Chemistry, Complexity, and the Cost of Tampering with Time
At its heart, Sore: Istri dari Masa Depan thrives on the raw, magnetic chemistry between Wiyoko and Dara. Their onscreen dynamic captures the fragility of love in the face of cosmic odds. Critics have praised their performances as layered, emotionally intelligent, and quietly devastating.
if there’s one thing i could keep from #SoreIstriDariMasaDepan (2025) was the hope for the longing. Sore’s countless time-travel taught us that change has to come from within. In their next lives, they live their best versions of life, but it leaves them with a tender longing— pic.twitter.com/MtoLckhgI2
— ͙͘͡★ (@sondersolace) July 12, 2025
Yet the film does not shy away from moral complexity. Is Sore’s mission an act of love or manipulation? Should fate be tampered with, even for noble reasons? The story’s emotional core pulses with such questions, leaving viewers to wrestle with the ethics of love, destiny, and second chances.
Unlike flashy Hollywood time-travel tales, this film keeps its mechanics grounded and its stakes deeply human. Its most iconic scene—a quietly intense conversation about the realities of marriage—has gone viral for its honesty, sparking discourse around commitment, agency, and sacrifice.
The Soundtrack: An Emotional Blueprint
Music in Sore is more than atmosphere—it’s emotional architecture. Under Laurens’ direction and with input from producer Suryana Paramita and Sheila Dara, the soundtrack was curated before key scenes were even shot. Tracks like “Gaze” and “Forget Jakarta” by Adhitia Sofyan stir nostalgia from the original web series, while Barasuara’s “Terbuang Dalam Waktu” punctuates the film’s most painful revelations.
This deeply integrated musical approach resonated with audiences. “Terbuang Dalam Waktu” surged into Spotify Indonesia’s Top 50, proving that the film’s reach transcends the screen.
The Ending: Beautiful, Brutal, and Unresolved
Without revealing spoilers, the film’s ending is a masterclass in restraint. Sore rejects easy resolution in favor of a haunting ambiguity. Has Jonathan’s future truly been altered, or has it only been postponed? The absence of a post-credits scene—intentionally omitted—reinforces the film’s commitment to emotional honesty over cinematic convention.
@cillacillo_ Harus coba nonton sendiri sih biar rasain langsung sensasinya😄 #soreistridarimasadepan #filmsore #filmsoreistrimasadepan #yandylaurens #dionwiyoko #sheiladara #bahastontonan #TikTokTainment #rekomendasifilm #reviewfilm #filmindonesia
♬ suara asli – Priscilla Raintung | Review – Priscilla Raintung | Review
The polarizing final moments have ignited online debates. Some hail the ending as poetic and bold; others find its refusal to tie up loose ends frustrating. Yet one truth remains: Sore dares to ask difficult questions and respects its audience enough not to answer them neatly.
Financial Risk and Global Ambition
The film’s scale came with a substantial cost. While official numbers remain undisclosed, industry insiders estimate a budget of IDR 20 billion—approximately SGD 1.7 million. That investment covered multi-country shoots, multilingual scripts, and a top-tier cast and crew—marking one of the most ambitious productions in Indonesia’s cinematic history.

Its global appeal is no accident. By embedding universal themes of love, regret, and self-determination within a local framework, Sore has positioned itself as a cultural export. Early critical praise from Kompas, Tribunnews, and regional film festivals suggests it may be Indonesia’s strongest Oscar contender in years.
A Defining Moment for Southeast Asian Cinema
Sore: Istri dari Masa Depan is not just a film—it’s a cultural event, a philosophical provocation, and a cinematic triumph. It challenges the boundaries of Indonesian filmmaking by proving that local stories, when crafted with precision and daring, can resonate on a global scale.
Yandy Laurens has delivered a work that’s both intimate and universal, anchored by transformative performances from Dion Wiyoko and Sheila Dara, and lifted by a soundtrack that aches with meaning. The film’s blend of speculative fiction and romantic realism dares to interrogate time, love, and the limits of forgiveness.
As the debates rage on and audiences return for repeat viewings, one thing is clear: Sore: Istri dari Masa Depan has altered the trajectory of Indonesian cinema. And just like its titular character, it arrives not merely to entertain—but to change everything.
Sources:
[1] Fakta-Fakta Menarik Film SORE: Istri dari Masa Depan yang Viral di Medsos
[2] Cerita Dion Wiyoko Soal Syuting Sore: Istri dari Masa Depan
[3] Sore: Istri dari Masa Depan (seri web)
[4] 5 Fakta Menarik Film Sore: Istri dari Masa Depan, Dibintangi Aktor Nomine Oscar!
[5] Review Film Sore: Istri dari Masa Depan, Romansa Fantasi yang Bikin Kamu Melting!
[6] Review Film ‘Sore: Istri dari Masa Depan’, Kombinasi Visual dan Musik yang Magis
[7] Musik yang Menyatu dengan Cerita: Peran Soundtrack dalam Film ‘Sore: Istri dari Masa Depan’
[8] Soundtrack Film ‘SORE: ISTRI DARI MASA DEPAN’ Hadirkan Musisi Ternama
Keywords: Sore Future Wife Review, Indonesian Time Travel Film, Sheila Dara Acting Performance, Dion Wiyoko Movie Role, Yandy Laurens Film Direction, Viral Southeast Asian Movie, Love Regret Redemption Story, Cinematic Web Series Adaptation, Future Wife Romance Film, Barasuara Film Soundtrack Success, Indonesian Romance Science Fiction, Croatia Finland Film Locations, Film Ending Without Closure, Complex Time Travel Narrative, International Indonesian Film Production











